Monday, February 14, 2011
Ihearitsawaitinggamenow
We buried him today. Does it make me a horrible person that I was bored at the funeral? There were forty-five rows of folding chairs - twenty two on the left twenty three on the right, twelve chairs in each row except for the front rows which had nine chairs on the right and six on the left. I know this because I counted them all, five times. It's not even that I was uncomfortable because it was a funeral and the body of someone they kept trying to tell us was our friend was lying in a wooden box at the front of the room, open for display like muffins or scones at a coffee shop. I just can't sit still. I kept adjusting and readjusting my tie. I know the lady next to me was watching. I imagined her naked and the two of us fucking in the bathroom for a few minutes. Then I felt bad. Not because I am a prude or anything or that a corpse could make me unable to get it up. I just knew we wouldn't be fucking in the bathroom later and that made me sad. There were forty-seven lilies in the right flower urn and I think forty-three in the left. I wish I hadn't worn a suit jacket, I felt all prickly and I wanted to get up and go to the bathroom all through the service. Now that I'm home I wish I had a sweater on but I don't want to get up off the floor. I poured out all the alcohol in the house as soon as I got home. I'm not sure if this was a reaction to the funeral or not. I think maybe I just wanted to make a statement, say something that I couldn't voice at the funeral. I don't think it was even about the beer and whiskey, I think it was the lack of something I really wanted. Like I was pantomiming not talking to him, kissing him, waking up next to him with every bottle I pour down the black yawning mouth of the drain. There were thirty four bottles in all.
Wednesday, February 2, 2011
Saturday, January 15, 2011
Review: Young Men of a Certain Mind by Lars Martinson
The Minnesotan Lars Martinson is a bit of an iconic figure when it comes to the subject of how to do self-publishing correctly. And yes there is a right and wrong way to go about it or at least a “worse” and a “much much much better” way. Lars is squarely in the much much much better camp. He published his beautifully rendered Tonoharu Part One under the auspices of the Xeric foundation in 2007 and has been a critical darling ever since. But before that he published a 43-page mini-comic titled Young Men of a Certain Mind in 2003. It is interesting to look back at this spiritual predecessor to the Tonoharu books and see the early glimmer of the later maturity of line and tone that his work would develop. However the beautifully dense crosshatching that would so effortlessly populate his later books at times seems forced in YMoaCM. As if Martinson is shading to fill in the panel and not in actual accordance to the contents of the panel. At times the horizontal lines beginning at panel borders run afoul of the figures within them. On the other hand the panel composition is as good as you could wish for. The word bubble layout in correlation to the interior art is never crowded and Martinson shows a deft hand with negative space and blocking. One standout feature in the construction of this book is the way the last panel of every page works as a pausing point for the narrative, a sort of natural cadence break in the dialogue. The dialogue pacing is such that each page has a settled feeling to it there is no incomplete cadence to the page pitch, every last panel is a small self-contained ending for that page if not for the overall narrative arc.
And it is indeed a very enjoyable narrative arc. The main character goes through his daily mundane minutia at times bemusedly detached from humanity and at other frothing with spittle flecked rage at their perceived shortcomings. He is a character profoundly unhappy with his station in life, at ends to where he is headed, and all his observations are tinged by this lack of situational empathy. Martinson has a few insightful moments during the book, chiefly the idea of the occasional alien-ness of the world around us. The moment when you look up from your coffee and something shifts and you can no longer breach the gulf of your surrounding culture. It is in these moments that the strength of YMoaCM lies.
As a whole Young Men of a Certain Mind is a great comic. The draftsmanship is solid and pleasing if lacking Martinson’s future brilliance and the story will resonate with more than the titular demographic.
If you are of a certain mind to purchase it you can do so here.
Monday, December 27, 2010
Joe Decie is 2c00l 4 sk00L
My cartoonist friend from across the pond Joe Decie just drew his version of one of my comic panels!
It's pretty obvious Decie should always draw my comics from now on
This is Joe's version
This is mine
It's pretty obvious Decie should always draw my comics from now on
Thursday, December 16, 2010
Tuesday, March 9, 2010
Saturday, March 6, 2010
Subscribe to:
Posts (Atom)